Netflix’s Newest Horror Series ‘1899’ From the Creators of ‘Dark’ Is a Trippy Mindf*ck

dark is one of Netflix’s most original and exciting series, a time-travel puzzle epic about grief, loss and regret.Show creators Jantje Friese and Baran bo Odar haven’t strayed from winning template 1899another dizzying multi-character affair that stacks one mystery after another to bewildering levels.

Clarity is hard to come by in the German duo’s latest eight-part work, which is at times more vexing than uplifting. Still, there’s much to savor in this period piece’s melody, which spins and spins until it’s hard to separate fact from fiction — that is, if anything in this saga is real the words.

perhaps the biggest drawback 1899 (premiering Nov. 17) is that it seems intent on literally surpassing the darkness of its predecessor. There’s a difference between ominous opacity and unrecognizable gloom, and series by Friese and bo Odar tend to succumb to the latter. It casts suspenseful drama in sombre tones that it’s hard to see anything.

It’s a case of atmospheric gloom overload, which proves all the more depressing considering the show’s aesthetic is otherwise actually creepy. There are corridors and rooms illuminated by rainbow lights and candles, enveloping and obscuring mists, and glowing contraptions and contraptions whose purpose is as murky as the passages and portals the characters come to navigate.

Before anyone starts traversing different realms, 1899 The scene is set aboard the Kerberos, a turn-of-the-century European ship bound for America, whose passengers are international (and therefore multilingual) people looking for a new beginning. Chief among them is Maura Franklin (Emily Beecham).

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When her character was introduced, she was having a dream in which she screamed at her silhouetted father about her missing brother and was strapped into a medical chair. When she wakes up, there is a letter from her siblings that says: “Trust no one.” Maura is a British doctor with a special focus on the brain, but she repeats her name, hometown and The dates suggest that her own head wasn’t in perfect working order. Traces of the straps on her wrist suggest that perhaps her dreams were more recent memory than fantasy.

Kerberos’ other passengers similarly relive traumatic — often death-related — memories in their slumber, including the German captain Eyk (darkAndreas Pietschmann), whose family met a terrible fate. Why do these fantasies always end with hallucinations of pyramids, swirling vortexes, and the quiet command “Wake up!” It was initially impossible to decipher, though thanks to the startling turn of events things at least became clearer (relatively speaking).

A few days after leaving their destination, Ike and his crew received a signal from another company ship, the Prometheus, which had gone missing four months earlier. Even more puzzling is that when they found Prometheus and searched its interior, they found it disorganized and completely empty, except for a young boy (Fflyn Edwards) locked in the bar cabinet, he Refusing to speak, carries a small black pyramid with him.

No one knows what will happen to Prometheus, and 1899 Just slowly handing out clues – all with three extra inexplicable bombshells that keep things forever blurred.

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As Ike and Mora struggle to break free, the series introduces a series of characters whose fates are destined to intertwine: Spanish playboy Angel (Miguel Bernardo) and his fake priest boyfriend Ramiro (Josepi) Men Tang); Ling Yi (Wei Isabella), a Chinese immigrant disguised as a Japanese geisha, and her mother Yu Ji (Wang Jiabi); Ling Yi’s American wife, Mrs. Wilson (Rosalie Craig) ); Polish furnace worker Olek (Maciej Musiał); French stowaway Jérôme (Yaan Gael) and newlyweds Lucien (Jonas Bloquet) and Clémence (Mathilde Ollivier); Danish underclassman Tove (Clara Rosager), her brother Krester (Lucas Lynggaard Tønnesen) and her religious parents Iben (Maria Erwolter) and Anker (Alexandre Willaume); and Eyk’s gruff right-hand man Franz (Isaak Dentler).

All of them have curses and/or disturbing secrets, and their woes become hopelessly intertwined once the boy is brought from Prometheus to Kerberos and strange things start happening.

Following in the footsteps of Friese and bo Odar’s previous series, darkAlso aboard the Kerberos is a mysterious man named Daniel (Aneurin Barnard) who has an apparent connection to Mora and uses a tiny beetle that runs around to perform miraculous feats. Most importantly, the mullah’s father (game of ThronesAnton Lesser is a downright sneaky mogul who works out of a fancy office with a wall of TV monitors – it’s a whistleblower, like dark, 1899The story spans multiple eras.

These factors slightly dampen the novelty of the program, as does the lack of concrete answers. Anyone craving a tidy solution should look elsewhere, as the show works overtime to maintain its instant-action fleet and propulsion while keeping its big picture out of sight.

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dark Veterinarians don’t bother adjusting themselves 1899wavelength. Newcomers, on the other hand, might find the deliberate, provocative pacing a little taxing. Fortunately, any occasional sluggishness is offset by stellar performances — led by the charismatic Beecham and Pietschmann with tense chemistry — and methodical, frantic development.

Mysterious triangular symbols, mental wards, lemming-like zombies, mute children, scarred faces, hidden hatches leading to tiled pipes and futuristic panels controlled by puzzling control boxes are all part of the insanity, Not to mention the various other themes that further suggest that this memory is at the heart of the story. Then again, the series could be about perception, identity, or anything else, as Friese and bo Odar give all sorts of hints, but keep things close to the vest forever, creating the alluring intrigue necessary to keep them The guessing game floats.

“None of this makes any sense,” Ike exclaims midway through the 1899The first season of , by then, so many unexplained events had occurred that almost any theory about the nature of this madness sounded plausible. Like Friese and bo Odar’s previous streaming gems, this supernatural thriller is so intricate that trying to unravel its mysteries is not only challenging, it’s almost nerve-wracking—often, in the best possible way.


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